I am a multimedia artist, researcher, and educator of Afrofuturism and Black Islam in the U.S. based in Baltimore, MD.

Recent:
HEIRLOOM: 2024 Islam & Print Cohort Exhibition at Gallery CA in Baltimore, MD from Oct 4–Nov 8. 

Read “A Conversation with Safiyah Cheatam and Dan Flounders” in BmoreArt (Oct 2024) 

  1. Assistant Manager of Teen Programs at the Walters Art Museum
  2. Co-founder of Islam & Print
  3. Trustee at the Awesome Foundation



MENU
︎ Work
︎ Research
︎ Programs
︎ OBSIDIAN
︎ About
I wish I was unhappy (2021)






2021

︎



Cut-out fabric, black cotton, white chiffon
12' x 10'



Exhibition History:

2021, Home Bodies | UMBC IMDA Thesis Exhibition, Center for Art, Design and Visual Culture (CADVC), Baltimore, MD

This artwork represents the concept of the Veil as referenced in W.E.B. Du Bois’ The Souls of Black Folk as a means of yearning for what is withheld on the other side. Cited in the fictional chapter "Of the Coming of John," the titular I wish I was unhappy encapsulates a southern Black American girl’s longing for knowledge and understanding of how systemic oppression affects her life, at the cost of her own happiness. She sees the burden of knowledge held by her brother John who’s had the male privledge and freedom of studying up North. The peepholes through letters in the large cloth barrier represent that which is withheld from those who desire but are unable to fully experience the other side.



Read more about Du Bois’ use of the veil in my written thesis, From Counter-Memory To Counter-Culture: Black Islam in the U.S. Through a Mundane Afrofuturist Lens.